Introduction: We turn here from the
origins of the earth’s peoples—nations, races and clans—to the origins of the
Jewish people religiously and politically. While we have no “outside”—extra-biblical—sources to weigh
historical information against, the [historically/culturally/experiential]
impact of the exodus memory or story
is impossible to set aside.
The
memory/narrative, which is recounted here, is not only reality-orienting for
the Jewish people, it is the basis of all they were to become—their corporate
sense of commitment, their sense of themselves as a people—their culture,
outlook and direction. Schocken
editors point out a long list of words and ideas that find their origins in the
exodus narrative:
·
Service
(servitude, serving gods, serving God)
·
God’s
glory and power
·
Knowing
God by his actions in history and His deep knowledge of our sufferings and
needs
·
Seeing
·
Being
distinct and separate
·
Rebellion
against rightful leadership and against God
·
Covenant
·
Modes
of God’s presence—in fire, cloud, manna, law
·
Desert
experience/travel as purifying
·
Purification
generally
·
The
journey from slavery to freedom
·
An
ordered, law-oriented freedom
Moses’ childhood experiences foreshadow those
of the entire people.
Questions
to Ponder:
Exodus 1
·
How
might the location of the Hebrew people in the Egyptian Empire have factored in
to the pharaoh’s paranoia about their increasing numbers?
Exodus 2
·
Moses’
mother has a great strategy to save him. What are the details of her plan?
·
Moses
has identity issues. How does Moses’ personal history make him the perfect man
for God to use in the history of “His” people?
·
Where
is Midian and how does Moses life become entangled with that place?
Exodus 3
·
What
details of Moses’ call stand out for you?
·
What
are your reflections on the “name” of God in the story?
·
What
is the message Moses brings to pharaoh?
Exodus 4
·
What
are the problems Moses faces in trying to do what God has called him to do? How
does it help him to have Aaron as his brother? What other assets or resources
does Moses find to help him?
·
Be
on the look-out for little “types” and “figures” in the story – any things in
the story that pop up in the story of Jesus history or birth?
·
Why
does God try to “kill” Moses in 4:24?
Exodus 5
·
How
does the pharaoh respond to Moses’ message? And how do the Hebrew people
respond to Moses too?
·
What
is Moses’ response to what happens?
Exodus 6
·
Keep
track of Moses’ relative Korah. He was important in some way to George Fox. Who
was Korah to Moses?
·
Why
do the people have trouble fully believing in their liberator?
·
Moses
gets a little into God’s “face” here – why?
Exodus 7
·
What
do you make of the analogy made here between the relationships of God and Moses
and Aaron and Moses?
·
What
do you make of the ages given for Moses and Aaron – 80 and 83?
·
What
disasters strike starting in chapter 7?
Exodus 8
·
What
disasters come in this chapter, and how does the Pharaoh respond to them?
Exodus 9
·
What
are the “plagues” told of here?
Exodus 10
·
How
does God justify the obstinacy of the pharaoh, which he claims as His work?
·
What
plagues come in this chapter, and what change do we see in our pharaoh?
Exodus 11
·
What
is the last plague? It’s importance?
Exodus 12
·
What
details of the Passover do you find interesting and important?
·
What
reason or justification is given for the “rites” associated with Passover?
·
How
long were the Jews in Egypt?
Exodus 13
·
How
is the memory of the “exodus” to be maintained among the people?
·
Why
do the take “the long way around” to the Promised Land?
Exodus 14
·
Why
does Pharaoh decide to pursue the Hebrews and how does Moses deal with the
pursuit as their leader?
·
Any
more “types” and “figures”?
Exodus 15
·
This
hymn is “Miriam’s song” – what is Miriam’s role in the deliverance story?
The
argument between Moses and Pharaoh can be seen as an argument for a change in
how we understand “who” – what ruler or power – is “sovereign” in our lives.
How does the Exodus story impact this argument?
The
wilderness narratives follow – they represent the process by which spiritual
maturity is to be arrived at (Schocken).
There are three desert themes: grumbling/rebellion; the hostility of the
surrounding nations; and working out a scheme of government and law. The process cannot be achieved in a
single generation. He points out that here again as in the
Abraham narrative, despite the promise of much fertility there is not a single
birth story recorded in the wilderness—the process here is one of preparation
for entry into the promised land where child-bearing, planting and productivity
will be central.
Exodus 16
·
If
you have trouble following the trail the people are taking in this story, you
can check out the map at this site: http://www.wall-maps.com/bible/232783-over.htm
·
The
people start grumbling on their journey. What is the importance of their
grumbling?
Exodus 17
·
What
is the importance of the rock at Mt. Horeb?
·
What
is the impact of the hardships and conflicts they run into on their journey?
Exodus 18
·
The
Schocken Bible points out in a note that there are six stations or stops
between Egypt and Sinai and ten six more stops from Sinai to the Promised Land.
They are right at the midpoint here. What important things happen here at the
halfway point?
·
What
good advice does Jethro give to his son-in-law here?
Exodus 19
·
What
is the importance of the mountain in this chapter? The only other important
biblical event that happens on Mt. Sinai is Elijah’s encounter in 1 Kings 19.
·
Apparently
the Midrash compares the events on Mt. Sinai with the concluding of a marriage
ceremony. Do you see this as interesting or important?
·
The
third covenant God has made with human beings is entered into in this chapter.
The first was with Noah (Genesis 9) and the second with Abraham (Genesis 15 and
17). What is different here?
Exodus 20
·
Moses
receives from God the Ten Commandments or “Words.” Check how the order of the
commandments or words differs among Jews, Catholics and Protestants.
·
Why
don’t the people seen to want a personal relationship with this God?
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